<div class="tl12-wrap">
  <div class="tl12-ornament" aria-hidden="true">
    <div class="tl12-rule"></div>
    <div class="tl12-diamond"></div>
    <div class="tl12-label">A Retrospective</div>
    <div class="tl12-diamond"></div>
    <div class="tl12-rule"></div>
  </div>

  <div class="tl12-entry">
    <div class="tl12-inner">
      <div class="tl12-left">
        <div class="tl12-era">Early</div>
        <div class="tl12-span">1890 — 1910</div>
      </div>
      <div class="tl12-right">
        <h3 class="tl12-title">The Impressionist Foundation</h3>
        <p class="tl12-body">Rooted in the tradition of plein-air painting, the early works capture fleeting light and emotional atmosphere rather than documentary precision. Critics were hostile; collectors were entranced.</p>
        <div class="tl12-works">
          <span class="tl12-work">Haystacks at Dusk</span>
          <span class="tl12-work">The Seine in November</span>
          <span class="tl12-work">Portrait of Madeleine</span>
        </div>
      </div>
    </div>
  </div>

  <div class="tl12-entry">
    <div class="tl12-inner">
      <div class="tl12-left">
        <div class="tl12-era">Middle</div>
        <div class="tl12-span">1911 — 1935</div>
      </div>
      <div class="tl12-right">
        <h3 class="tl12-title">The Cubist Rupture</h3>
        <p class="tl12-body">Exposure to Picasso and Braque in Paris fractured the picture plane. The artist began dissecting familiar forms — faces, furniture, cityscapes — into interlocking geometric shards of simultaneous viewpoints.</p>
        <div class="tl12-works">
          <span class="tl12-work">Decomposition No. 7</span>
          <span class="tl12-work">Woman at the Table</span>
          <span class="tl12-work">Three Guitars</span>
        </div>
      </div>
    </div>
  </div>

  <div class="tl12-entry tl12-last">
    <div class="tl12-inner">
      <div class="tl12-left">
        <div class="tl12-era">Late</div>
        <div class="tl12-span">1936 — 1962</div>
      </div>
      <div class="tl12-right">
        <h3 class="tl12-title">Abstraction &amp; Silence</h3>
        <p class="tl12-body">The war years stripped away decoration. Large canvases of near-monochromatic fields emerged — radical reductions that anticipated Abstract Expressionism. The late works are the quietest and the most demanding.</p>
        <div class="tl12-works">
          <span class="tl12-work">Blue Field Study I</span>
          <span class="tl12-work">Nocturne for V.</span>
          <span class="tl12-work">The Last Interior</span>
        </div>
      </div>
    </div>
  </div>
</div>

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